Category Archives: Images of Mary

Mary of the Week: Why I now love Our Lady of Guadalupe

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On a spring day about seven years ago, I was interviewing my friend Mary for my book Mary and Me: Catholic Women Reflect on the Mother of God.  We sat in the living room of her bungalow-type home, which was filled with images of Our Lady of Guadalupe, in every imaginable place: painted on a cabinet, on a refrigerator magnet, on a decorative tile in the glassed-in hutch in the dining room.

Mary – I’ll refer to her as “my Mary,” to distinguish her from the Virgin Mary – explained to me her history with Our Lady of G, whom she’d loved ever since she was a child.  Our Lady of G had been a huge comfort to my Mary during the uterine cancer she’d had several years before, a cancer which meant she could never have children of her own.  Throughout that awful diagnosis and the recovery, throughout Mary’s subsequent engagement and wedding to her husband Tom, throughout the travels Mary adored and the teaching job she loved, Our Lady of G was there.  “I feel like she’s always been watching out for me,” Mary told me on that day in 2006.

I’m not sure I paid much attention to Our Lady of G before knowing my friend Mary. Growing up in California, her image is ubiquitous, but I’d never felt much of a personal connection.  And yet there was something in my Mary’s fervent love for her that made me take another look.

My Mary loved the earth tones of the skin of Our Lady of G.  She loved how Our Lady of G spoke to the hearts of many people in the Central Valley farming community where Mary grew up.  And through Mary’s eyes, I started to see something special in Our Lady of G, too: an earthiness, a real-ness.  I liked that she looked at home in any context, both on a church altar and on a tattoo.   I started to understand why people loved her.

Now she’s in my house, too.  She’s in the center of the folk art cross that I bought at the Carmel Mission last year, and which I have hanging by my prayer desk.

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She’s on a small desk clock that Scott found in a dime store in Chinatown.  She’s on this T-shirt that I found at LA Congress, a shirt of which my Mary would heartily approve.

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As it turns out, I wrote about Mary – my Mary – in my second book, too.   She’s in the chapter about heaven.    In 2010, her cancer came back, this time to her bile ducts.     It ravaged her body, stole her strength, made it difficult for her to eat, and caused her great pain.  This time, in spite of all efforts, it was terminal.   It’s been a year and a half since she died, and there is no fancier way to say it than this: I miss her.  I miss her so much and so often.

But this loss made Our Lady of G settle into an even deeper place in my heart, because the day that Mary died was December 12, 2011.  December 12 is the feast day of Our Lady of Guadalupe.  There was – and there is – such a unique comfort in knowing that Mary’s struggles ended on that day of all days.  I’m not normally given to flights of fancy, but it feels so natural to picture Our Lady wrapping Mary in her cloak and, after a lifetime of love, leading her to a place where she would suffer no more.

“I feel like she’s always been watching out for me,” Mary said in 2006.  It’s bittersweet to read those words now, knowing what happened later.  But at the same time, those words are truer than any of us could have predicted.  And that is why I love Our Lady of Guadalupe.

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The guest book table at Mary’s celebration of life

Mary of the week: The Mary who looks right at you

In Catholic tradition, May is the month for honoring the mother of Jesus.  For the next few weeks, I’m going to get into the spirit by sharing a favorite image of Mary every Friday.  ( She is the  woman of a thousand faces, so I have lots to choose from.)  Enjoy!

There are some images of Mary that are just hard to forget.  They’re especially beautiful, or striking, or they resonate in some emotional way that is difficult to explain.  For me, this is one of those pictures.

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It’s the work of the Austrian artist Marianne Stokes, who painted it in 1907-1908.  The costume is the traditional dress of Dalmatia, which a region on the Adriatic Sea (yes, I had to look this up.  Oh, by the way, it is where the dogs come from.)  Stokes used a local girl as a model, and apparently the thorny bushes in the background are meant to foreshadow Christ’s Passion.

Isn’t it gorgeous?  And it’s more than gorgeous, too, I think.  Something in Mary’s gaze is very moving to me.  Maybe it’s because so many traditional images of Mary show her with downcast eyes, looking humble.  I like how she looks right at you, meeting your eyes: she seems very confident.  At the same time, there’ s a rather dreamy, introspective quality to her expression that just gives it all the more complexity and depth.  And if there’s one thing that I’ve learned about Mary over the past several years, it’s that she’s a lot deeper and more complex than I ever used to think.

Madonna and Child by Marianne Stokes

This is a re-run of a post from April 2010.

For all who mourn

Mary in Two Minutes

Happy Feast of the Immaculate Conception!

If you don’t know what that is, check out this brief video below, from BustedHalo.com.  It tells you all about Mary, in two minutes (more or less).  I helped work on the video, so it’s really fun to see the finished product.

Enjoy!

 

Why we celebrate her

Today is the birthday [observed!] of a very special lady, who is such a huge part of my spiritual life.

Happy Birthday, Mary!  You are a reminder that when you raise a child, you raise the potential to change the world forever.

Courage, mom-style

Here’s one thing I’ve realized over the last five years: you can never really prepare for parenthood.   Yes, you can buy the motherhood books and mine the wisdom of your friends and offer to babysit for their kids, thereby acquiring some level of competency in how to change a diaper or support a floppy newborn head.    But nothing really gets you ready for the life-altering, universe-upending, all-consuming reality of parenting.   It’s only when you are right in the thick of it that you realize how utterly exhausting — and jaw-droppingly beautiful — it is.

This certainly describes my journey.  Prior to having Matthew, I had no idea that I could be so exhausted, physically and mentally.  I had no clue that I would have to function for days on spotty, brief,  grade-D quality sleep.  I also had no idea that the smile of a newborn could make me want to cry with happiness, or that being in the firm circle of a toddler’s hug would make me wish for time to stop right there, so I would never have to feel him let go.

I couldn’t have imagined any of this, really.  I just had to live it and find out for myself.

And as we celebrate the Annunciation today, I feel a strong sense of kinship with Mary.  She could not possibly have imagined in advance what being the Mother of God would be like.  When she said yes, she must have known, on some level, that she was going into it blind.  She could not possibly have anticipated the glorious highs, the terrifyingly abysmal lows, and all the little graces in between.

But she was willing to find out.   And — to echo Robert Frost — that has made all the difference.

Annunciation by Domenico Beccafumi

Touching Mary

After Mass today, we stopped by the grotto in the parking lot so the boys could say Hi to Mary.   This has become a weekly tradition, one that the boys look forward to as much as I do.  There are beautifully-tended flowers blooming all around the grotto, with a winding brick path leading to the statue of Mary.  I always love the dramatic contrast between the rough stone walls and the smooth glass sides of the votive candle holders that people leave at Mary’s feet.

As we drew closer to Mary, Luke suddenly said, “No touch!”  He was referring to the candles in their glass holders, white and hot, which I’ve warned him about in the past.  “No touch!” he said again, obviously pleased by the fact that he remembered my words.

As we headed back to the car, I realized that there was a time when “no touch” would have seemed like a pretty appropriate way to talk about Mary herself.    I would have looked at her, white and sky blue up on her pedestal, and thought: That is a woman who is nothing like me.  She’s pure and perfect and practically inhuman.  For years, she seemed pretty darn untouchable — more like a snow queen than a flesh-and-blood woman.

But that was before many things happened in my life to make her become totally  real to me.  Most of all, it was before I became a parent, and  discovered the overwhelmingly physical nature of being a mom.  Motherhood is a full-contact sport, really, one that involves all kinds of touch, and Mary must have experienced all of this herself.  Before Jesus was born, she surely felt him fluttering inside her, stretching and unfolding his limbs.  After he was born, she would have fed him with her own body.  She hugged him, bathed him, cuddled him, brushed back his hair, and probably kissed boo-boos away.  And years later, when her son was dying on the cross, she was probably going out of her mind wanting to touch him and hold him and comfort him, but he was too far out of reach, and she couldn’t.  I think this is part of the reason why images of the Pietà are so powerful to me:  she’s holding her dead son on her lap, just as she did when he was a baby, because a mother wants nothing more than to cuddle her kids, to feel their warmth and weight, and even death doesn’t kill that desire.

I love every image of Mary, including the beautiful queenly statues standing on pedestals.  But the ones I love most these days are the images of her where she looks ordinary, human, touchable.   I love the pictures where she looks like a real woman and a real mom, a comfortable lap that you can climb into where you can hunker down, safe and warm, just as her little boy did.

No touch?   No.  Touch.

Holy card from my collection . It’s a detail of Song of the Angels by Bouguereau.

One reason why we love these paintings

 

What are Raphael’s Madonnas but the shadow of a mother’s love, fixed in permanent outline forever?

– Thomas Wentworth Higginson

 

 

Paintings:
Tempi Madonna
Madonna and Child (Small Cowper Madonna) 

Mary as a model for writing, and living



Intriguing words from the writer Madeline L’Engle:

What would have happened to Mary (and to all the rest of us) if she had said No to the angel?  She was free to do so.  But she said Yes.  She was obedient, and the artist, too, must be obedient to the command of the work, knowing that this involves long hours of research, of throwing out a month’s work, of going back to the beginning, or, sometimes, scrapping the whole thing.  The artist, like Mary, is free to say No.  When a shoddy novel is published the writer is rejecting the obedient response, taking the easy way out. But when the words mean even more than the writer knew they meant, then the writer has been listening.  And sometimes when we listen, we are led into places we do not expect, into adventures we do not always understand.

– Excerpt from Madeline L’Engle: Herself

P.S.  Just in time for the Feast of the Assumption, Amazon has posted the “Look Inside this Book” feature for Mary and Me.  Have you read it yet?  No?  Take a peek!

This never gets old

I came across this gorgeous Madonna and Child recently.  It’s by William Dyce, a Scottish artist of the early nineteenth century.

There’s something so powerful about a picture of Mary holding the baby Jesus. The Catholic writer Andrew Greeley once explained that this is such an irresistible image because it recalls the love that God has for us, a warm, unconditional love that never ends.  For my part, I find that these images make me think back to the babyhood of my own boys.   There was something so beautiful about those days,  when they were small and not mobile and content to stay happily in my lap.  I have a vivid memory of feeding Matthew one evening when he was a few months old, and he fell asleep in my arms and I looked at his peaceful little face and thought about how I wanted to freeze time, just make it stop right then and there.  In that moment, the cup of my happiness was totally full.

It’s hard to snuggle with the boys now.  They are bigger and more independent, and I know they’ll just continue on that trajectory until the day when they are surly teenagers surrounded by a large bubble of personal space into which embarrassing Mom is not allowed to enter.   But even then, I’ll have the memory of them as they were when they were babies, the softness and the warmth and the sweet,  perfect weight of them. A mother’s arms just don’t forget.